we hear doo youve leaped into the collapsing centre of things this month with a systemic rubbling of the finite serials the pedagogues and areṛo
yet even rubblings fuk are part of a system of order
sounds anarchic
anarchy is without rule but to be without rule is not to be incomprehensible except to those locked in cells of conventional politics
how do we comprehend the collapse thats happening in november - now in the pedagogues and later in areṛo
any number of ways fuk - heres a possible narrative - the pedagogues and areṛo begin in normalized societal functioning - the former as fitz fitzens leaving work, the latter as the protagonist is on a crowded train going to olbƍa - and as they progress toward their centres - the former in the shadow character of doktor nalwod, the latter on the shadow metro of areṛo - they begin to disintegrate - the former slowly as bimp reveals new knowledge and fitz gets drunk, the latter as the protagonist migrates through areṛo station and its washroom through the city itself and its basilisk through the non-paying section of rṛeoa station and its religious posters dedicated to the worship of ezoroṛasta - and finally - as nalwod appears and i moves onto the trains of areṛo - neither can hold itself together and explodes - what the doocore is calling splaying with regard to doktor nalwod and splayed in relation to areṛo - this explosion expresses itself through increased dissettlements of langwich but also through an increase of these middle entries - fifth in the sequence of nine - multiplying themselves into polyperspectival expressions - four in the case of doktor nalwod, thirteen with commuting
this rhythm is also more generally expressed through the classic mystic journey - what sancta juan de yepes y álvarez de la cruz calls the dark night of the soul and effectively every historic western mystic at least has described in various terms - a descent from socially constructed normalcy into the cloud or pitch of unknowing - an unraveling raveling seemingly inevitable in the encounter with god
this journey plays out in ostensibly nonreligious ways as well - hamlets a classic example - the play beginning in ordered society, descending into psychological and political mayhem and violence, returning to ordered society - a tropic dramatic geometry. we see it in music - cans tago mago is a fine example - across all the arts
but as weve reiterated numerous times the doocore explores contemporary apophatic aesthetics - ie we believe the journey of which weve spoken is always available to the whonym - even though only a small minority may be called to embark on it - regardless of the trappings of the surrounding environments and cultures - and so the pedagogues and areṛo are describing this journey but through the sieve of the mess of current hyperanxious globalized capitalized civilization - the pedagogues is more apparently this journey exoterically, areṛo apparently more esoterically
arent you sounding like a sane skullar doo
i am a sane skullar fuk - my methods materials matrices and morphologies may seem unorthodox to those incarcerated in conventional institutional life but as weve repeatedly said were as or more sane than the signing sane
sinning maybe
maybe sigiling
then we can expect as we hopefully clamber out of the vortices of the fifth episodes - exploded into seventeen entries rather than two - to begin ascending back to the light in december and beyond
ascending or at least migrating to plight - the centre that cant hold pieces are the darkness but we move to plight not light - light is that which we create and nurture in the darkness and plight
is there nothing outside of imperilment
areṛo and the pedagogues - as all our sagas in the dooverse - arent constructed to induce hopelessness but rather patagardens in which to wander to hint at ways to walk in and through the risk and danger
thanks doo
thanks fuk
stoodio doo
gek poh
singapore
postoktober 2026